Eastern Utah Libraries Catalog: Duchesne, Heber, Roosevelt, & Vernal

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Rosarita / Anita Desai.

By: Material type: TextPublisher: New York : Scribner, 2025Edition: First Scribner hardcover editionDescription: 96 pages ; 19 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781668082430
  • 9781668082447
Subject(s): Genre/Form: Additional physical formats: Online version:: Rosarita.DDC classification:
  • 823/.914 23/eng/20240819
LOC classification:
  • PR9499.3.D465 R67 2025
Summary: "Away from her home in India to study Spanish, Bonita sits on a bench in El Jardin de San Miguel, Mexico, basking in the park's lush beauty, when she slowly becomes aware that she is being watched. An elderly woman approaches her, claiming that she knew Bonita's mother-that they had been friends when Bonita's mother had lived in Mexico as a talented young artist. Bonita tells the stranger that she must be mistaken; her mother was not a painter and had never travelled to Mexico. Though the stranger leaves, Bonita cannot shake the feeling that she is being followed. Days later, haunted by the encounter, Bonita seeks out the woman, whom she calls The Trickster, and follows her on a tour of what may, or may not, have been her mother's past. As a series of mysterious events brilliantly unfold, Bonita is unable to escape The Trickster's presence, as she is forced to confront questions of truth and identity, and specters of familial and national violence."--
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Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
BOOK Wasatch County Library First Floor Fiction F Desai (Browse shelf(Opens below)) Checked out 04/25/2026 34301002105973
Total holds: 0

Originally published: Great Britain : Picador, 2024.

"Away from her home in India to study Spanish, Bonita sits on a bench in El Jardin de San Miguel, Mexico, basking in the park's lush beauty, when she slowly becomes aware that she is being watched. An elderly woman approaches her, claiming that she knew Bonita's mother-that they had been friends when Bonita's mother had lived in Mexico as a talented young artist. Bonita tells the stranger that she must be mistaken; her mother was not a painter and had never travelled to Mexico. Though the stranger leaves, Bonita cannot shake the feeling that she is being followed. Days later, haunted by the encounter, Bonita seeks out the woman, whom she calls The Trickster, and follows her on a tour of what may, or may not, have been her mother's past. As a series of mysterious events brilliantly unfold, Bonita is unable to escape The Trickster's presence, as she is forced to confront questions of truth and identity, and specters of familial and national violence."--

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